I found this photo on the Washington Pavilion's website today whilst updating my CV for collegiate employment application season.Info on Take the Day and the associated exhibition, Remains of the Day, here.
I found this photo on the Washington Pavilion's website today whilst updating my CV for collegiate employment application season.
The Sketchbook Project as an individual artist and I am in the process of signing up all of the students in my studio courses at Northland Community and Technical College.
Here is a photo I took of a work-in-progress--and you know how much I enjoy posting WIP's. It is still not finished, though it is quite a bit further along than this pic. Obviously I have begun using xerography in my work. Additionally, I have been working quite a bit larger as of late, so Artworks have not been getting resolved as quickly as similar smaller works did.
I will be participating in Take the Day 2011 at the Washington Pavilion of Arts and Science on October 1st, 2011. I am a first-time participant, and I am eager to experience the dynamic of open studio production in the presence of so many great Artists.
My last blog entry, Diadema, will be in an exhibition at the Siena Art Institute in Italy opening September 24. Diadema will also "...be collected into a bound portfolio to remain in the collection of the Siena Art Institute Library."
Digital from Photographed Drawing, 2011.
I have been trying only to post 'finished' work lately, but I have been pretty poor about posting anything over the last couple of weeks. So...I decided to post a section of one the drawings I am working on now. The mythic qualities of space travel, the space race, and associated science fiction are my obsessions of late (in addition to the other 'myth stuff' I am always looking at). NASA has a ton of great source material to work from, and I believe that I am only scratching the surface in my research.
Hand-Laced Mixed Media Montage with Drawing on Plexiglass and Linen, 2010.
Full title is Locomotive II: Version 2.0 Number I, but I drew a titling blank whilst preparing for this show and physically wrote Locomotive II Serigraph v.I on the print. So be it--this print has dual titles.Serigraphy and Monoprint on Paper, 2011.
The second of two Artworks for the MacRostie Art Center's Regional Printmaking Exhibition.
Participating Artists:
Jordan Acker Anderson - Wauwatosa, WI
Larry Basky - Plymouth, WI
Paula Brandel - Coleraine, MN
Benjamin Brockman - Minneapolis, MN
Sui Conrad - La Crescent, MN
J. Charles Cox - Thief River Falls, MN
Marlon Davidson - Bemidji, MN
Rebecca Gramdorf - Grand Rapids, MN
Don Houseman - Tenstrike, MN
Eric A. Johnson - Fingal, ND
John Leopold - Thief River Falls, MN
Cecilia Lieder - Duluth, MN
Beckie Prange - Ely, MN
Full title is Locomotive II: Version 2.0 Number II [Japan Aid], but I drew a titling blank whilst preparing for this show and physically wrote Locomotive II Serigraph v.II [Japan Aid] on the print. So be it--this print has dual titles.
Graphite, Colored Pencil, Thread, Inkjet Transfer on Mylar and Paper, 2011.
This is an Artwork I collaborated on with my oldest daughter, Aisling, and donated to the Washington Pavilion of Arts and Science Visual Arts Center's 2011 Art's Night Benefit/Exhibition/Juried Exhibition.This is the statement I sent in about the Artwork:
With equal ease I imagine Baron Von Trapp (Christopher Plummer), Grand Moff Tarkin, or Eddie Izzard as Theseus dryly returning this line, with a smirk and a raised eyebrow, when handed the ball of string or thread that will be his salvation from the Daedalus’ Labyrinth.
The thread in this artwork, combined with the visage of the young woman, allude to this myth.
Creating mythos is filled with confrontations with the absurd, and situations embracing this absurdity often lend themselves to humor. I must point out that I am not stating that every ‘corner in the labyrinth’ of myth contains a joke. The research is undertaken with all seriousness, but attempting to limit opportunities to chuckle as they present themselves is ill-advised. This should be applied to any field of research, really—but we all know that.
There are two separate father/daughter relationships at play here: that of Minos and Ariadne, and that of me and my 4-year-old daughter, Aisling. Aisling helped me finish this artwork by attempting the maze, which she completed in three attempts.
Digital from Scanned Drawing, 2011.