Sunday, July 31, 2011

Frogman's 2011: The Proof Wall

This is late, please excuse.

Frogman's Print & Paper Workshop 2011, Relief Shootout with Fick & Huck.

The Proof Wall is where we all hung and shared proofs of what we were working on during the week.

Sunday, July 17, 2011

Locomotive II: Bumblebee Variant

I had a great time at the 30th Anniversary of the Frogman's Print and Paper Workshop last week. The class I enrolled in was taught by Bill Fick and Tom Huck, two of the baddest printers and coolest dudes I have met so far. Google them.

I will post more pictures from the actual workshop over the next week, but here is a picture of my parents' foyer doubling as a drying rack for an edition of 15 prints I took with me to trade.

Locomotive II: Bumblebee Variant
Rattle Can and Serigraph on Paper, 2011.

Sunday, June 19, 2011

Locomotive III: version 2.0 Serigraph Image

Digital from Photographed Drawing, 2011.

I will again be traveling to the local screen-printing house to ask them about transferring my image to a screen (obviously) with their exposure unit.

And again, I will run 15-20 prints in black-and-white.

More info on prints and AP's for sale/trade and any planned variations coming when I post the information from the last screenprint, which I should do soon (if you have read anything on this blog, you will notice that 'soon' is a relative measure of time).

And I still owe you some Locomotive II woodcut images...

Saturday, June 18, 2011

Locomotive III: Sempiternity, Impetus, Acculturation

Graphite on Mylar, 2011.

Creative Commons Licensing and Attribution/Citation information coming soon.

My intent is to undertake the development of this and other drawings-on-mylar with additional media.

Friday, June 17, 2011

Locomotive II: Version 2.0 Number III

Serigraphy and Monoprint on Paper, 2011.

Wednesday, June 15, 2011

Archive: Cyborg Centaur Questions His Marginalization

Hand-Laced Mixed Media Montage with Drawing on Plexiglass and Linen, 2010.

This Artwork is from my Master of Fine Arts Thesis Exhibition at the Washington Pavilion of Arts and Science in Sioux Falls, South Dakota.

Sunday, June 12, 2011

Archive: Under Guise of Purest Order, a She-Knight Strode Forth on Ancient Steed

Hand-Laced Mixed Media Montage with Drawing on Plexiglass and Linen, 2010.

This Artwork is from my Master of Fine Arts Thesis Exhibition at the Washington Pavilion of Arts and Science in Sioux Falls, South Dakota.

Monday, May 23, 2011

Archive: The Cycle of Inassimilable Antiheroic Nature

Hand-Laced Mixed Media Montage with Drawing on Plexiglass and Linen, 2010.

This Artwork is from my Master of Fine Arts Thesis Exhibition at the Washington Pavilion of Arts and Science in Sioux Falls, South Dakota.

Tuesday, May 3, 2011

New developments

I have been trying only to post 'finished' work lately, but I have been pretty poor about posting anything over the last couple of weeks. So...I decided to post a section of one the drawings I am working on now. The mythic qualities of space travel, the space race, and associated science fiction are my obsessions of late (in addition to the other 'myth stuff' I am always looking at). NASA has a ton of great source material to work from, and I believe that I am only scratching the surface in my research.

I believe I stated previously that shifting back to working more loosely is important to me (if I hadn't yet, I did now!). I hope to have the drawing work completed and photo-ed/scanned soon so that I may delve into some other 'goodies'...

More soon, stay tuned.

Thursday, April 21, 2011

Archive: Conducting the Cumulonimbus with Lucid Dichotomy

Hand-Laced Mixed Media Montage with Drawing on Plexiglass and Linen, 2010.

This Artwork is from my Master of Fine Arts Thesis Exhibition at the Washington Pavilion of Arts and Science in Sioux Falls, South Dakota--which was the first ever MFA Exhibition in the Pavilion. It is also in their permanent collection.

Sunday, April 10, 2011

Archive: The Measure, The Maelstrom, and The Matriarch of Many Minn-Athenas

Mixed Media on Paper, 2010.

This work was produced for the MacRostie Art Center's Mail Art Exhibition.